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 enlarge | Actors: Tom Berenger, Willem Dafoe, Keith David, Johnny Depp, Kevin Dillon
Studio: MGM (Video & DVD)
Category: DVD
List Price: $14.98
Buy New: $4.04
You Save: $10.94 (73%)
New (66) Used (48) Collectible (4) from $3.73
Avg. Customer Rating:  293 reviews
Sales Rank: 1541
Format: Anamorphic, Closed-captioned, Color, Dolby, Dvd-video, Special Edition, Subtitled, Widescreen, Ntsc
Languages: English (Original Language), French (Original Language), French (Subtitled), Spanish (Subtitled), Spanish (Dubbed)
Rating: R (Restricted)
Number Of Items: 1
Running Time: 120
Aspect Ratio: 1.85:1
Shipping Weight (lbs): 0.3
Dimensions (in): 7.5 x 5.1 x 0.6
MPN: 027616862815
UPC: 027616862815
EAN: 0027616862815
ASIN: B00005AUJQ
Theatrical Release Date: December 24, 1986
Release Date: June 5, 2001
Availability: Usually ships in 1-2 business days
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Shipping: International shipping available
Condition: ******BRAND NEW****** THE SOURCE FOR RARE MEDIA, THOUSANDS OF CUSTOMERS SATISFIED, AND OVER 250 000 ITEMS IN STOCK, BUY FROM A TRUSTED SOURCE, ESTABLISHED SINCE 1998 - INETVIDEO ~~~
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 POLITICS IN JUNGLE BOOTS - A VIETNAM WAR DEPICTION THROUGH MOVIES June 1, 2007
7 out of 10 found this review helpful
BY: Fernando de Mello Pimentel
The world we see today, thrusted by a globalized set of integrated political and commercial trading practices, is arguably very dissimilar from the bi-polarized and ideologically lugubrious background of the 20th Century's post World War II years, also known as the "Cold War". At a time when an imaginary line divided the globe in two geopolitical blocks -the capitalist and socialist -, the United States and the former U.S.S.R where the two major players at the chessboard in charge of the strategy for the rest of the World's fate. Both sides designated what was known at the time as their "Spheres of Influence", which in practical terms meant that strategic alliances with other ideologically close countries were drawn with the sole purpose of achieving world-wide domination. Such concept was clearly materialized with the construction of the Berlin Wall (1961-1989), also known as "Iron Curtain", which literarally divided the world into zones of capitalist and communist ideologies.
America's role at the time was to secure the deployment of capitalist economical aid, political influence and military support to other areas of the world in detriment of Soviet communist regime expansion, and vice-versa. The Cuban Missile Crisis (1962), the wars of Korea (1950-1953), Vietnam (1959-1975) and the Soviet-Afghan (1979-1989) and the constant and widespread fear of nuclear annihilation - at the verge of a massive arms race - were all under the spotlight of world foreign affair policies promoted by both parties. The Vietnam War was perhaps one of the most intriguing outcomes of this conflicted era. It has been increasingly depicted in countless hollywood productions and television series ever since the mid 70's.
Debuting in 1978, in this sphere of cinematographic story telling, is Michael Cimino's epic "The Deer Hunter", which describes the friendship of 3 Pennsylvania steel workers of Rusyn ancestry. As strong and realistic as this tale is, perhaps no other film is as psychological and nerve-wrecking as Francis Ford Coppola's "Apocalypse Now", with its intense narrative about an american special forces elite soldier having gone totally insane in the jungles of south asia and having decided to take matters by his own hands and methods. This 1979 motion picture has stirred up audiences around the globe by portraying the horrors of war and its tormenting effects on both civilians and military personnel. Embracing all of this chaotic nature is the fictional Nung River, which metaphorically stands for Colonel Kurtz's gradual but irreversible psychological navigation towards a derranging stream of consciousness which undeniably led him to cross over to the dark side of mental sanity.
While "The Deer Hunter" was a film about friendship ties dilacerated by mental breakdown caused by imprisonment in Vietnamese P.O.W camps and the unbearable hardships of coming home, and "Apocalypse Now" was a harshly psychological metaphor for military desertion and misconduction of War, Oliver Stone's 1986 auto-biographical "Platoon" is the definite account on the sheer loss of innocence every young enlisted man underwent during his tour of duty. In the movie, Stone explores the 25th Infantry Division's Bravo Company Platoon as a microcosm which emblematizes the Pentagon's controversial and misleading military policy to restrain communist expansion in southeast asia.
Political and ideological clashes erupt between the outfit's two main leaders - Staff Sergeant Barnes and Sergeant Elias - triggering a polarizing conflict within the platoon which precipitates the decay of morale. The inoperative Lieutenant Wolfe is incapable of controlling the ongoing joust within his group. His total lack of authority over the platoon is accurately portrayed throughout the movie and is somehow Stone's testimony on America's incompetence in directing the war.
Politics is a recurring theme in "Platoon" which uncompromisingly displays the military's unquenchable thirst for power. While Sergeant Barnes is the personification of the ambitious quest for unlimited power, Sergeant O'Neil represents a submissive class of `boot-licking" scoundrels who will give unconditional support to their superior officers in exchange of personal benefits. On the extreme opposite end lies Sergeant Elias, a hippie humanist who cares for his fellow men as if they were his own blood. Elias is an authentic crusader who has been in country long enough - at least three complete tours - to become completely acquainted to the devastating sub-products of war and thus form a solid contrary opinion about it - traces of pacifism can actually be inferred by his non-violent behaviour and clear pursuit of escapism. His natural leadership skills spontaneously blossom as he constantly finds himself supporting and coaching rookies who have just been freshly shipped into the combat zone. On the other hand, Sergeant Barnes gains similar respect from his men by casting terror among both foes and friendlies - which pretty much builds his reputation on being feared. Although morally distinct in character, both leaders are equally sharp on combat skills and military tactics.
In addition to the testimonial nature of the film, "Platoon" is also renowned for its scenes of graphic and verbal violence which have been warmly captured by Stone while in duty. "Platoon" is arguably one of the most authentic and visceral movies to depict the tragedies and misfortunes of an entire generation of Americans living during the cold-war era. It also realistically depicts the crude "Politics in Jungle Boots" of a nation struggling to find its role in a Post-World War II nazi-fascist free world.
***** - A CINEMATOGRAPHIC MASTERPIECE!!!
Greatest Vietnam movie of all time! May 25, 2007
5 out of 8 found this review helpful
I'm a huge fan of war movies, especially vietnam era ones. Probably because I've been in war and I like to see it depicted on film. This movie does a wonderful job of showing what the vietnam war was like through one particular army platoon. Now I read several reviews that discredited this movie becuase it didn't depict the various men serving in vietnam in a good military manner and I will say that Stone does highlight the drugs and insubordination alot but that stuff did go, a good bit from what I've read and heard from vets. lets face it, people want to see action and drama, not boring robot, do what your told all the time, every time. No matter what people might say, I still think this is an awesome movie and a must see for ANYONE.
The Nightmare of War May 24, 2007
4 out of 6 found this review helpful
I have watched Platoon more than any other war movie. So much so that I've had to give it a rest over the last few years.
Why is it so good?
Perhaps because it is the most realistic (certainly Vietnam) war movie ever made. Its based on Oliver Stones own experiences in Vietnam. Now I doubt whether there were actually two so clearly good and bad characters, as represented by Willem Dafoe and Tom Beringer in the film, but it is the spark between these two that creates much of the films atmosphere.
There are quite a few scenes in this film, such as when the Charlie Sheen character wakes up in the middle of the night (in the jungle), that are wonderfully done. You really get an idea of just how scary being a soldier might be.
I'm also sure that the film would not not have been as successful as it was, without its marvellous soundtrack. Most noteably Samuel Barbers 'Adagio for Strings'. This piece of music alone adds an extra dimension to the scenes it is used in. A very haunting and sad piece of music.
The ending of the film is perhaps the only weak point, but it is a minor quibble about a very powerful and moving film.
ONE OF THE BEST WAR PICTURES EVER MADE! May 13, 2007
7 out of 7 found this review helpful
This film has been copied so many times,but never duplicated. I have never been to war, so I do not know if it is a realistic view of it. It is still a great film that leaves you thinking in silence as the credits role.
 Vietnam? Was it really like this? March 13, 2007
7 out of 30 found this review helpful
Stone attempts to bring authenticity to Platoon by focusing on portraying the American GI in Vietnam as insubordinate, drug-abusing, raping and murdering, etc. while portraying all the officers as ineffectual and powerless to stand up and command/lead their troops. There was more to the war, and more to the people serving in it, than Stone cares to bring to the viewer. Is that because of a difference in what one remembers after the years, or because different people experienced different things and came away with different perspectives?
I've spoken to many vets and watched this film more since my first review. And I have to wonder, how is it that so many vets have such differing views on what they saw and recollect? I even read a book by someone who served in the same unit as my father and they have two different recollections of what happened in the same firefight down to the number killed, where it took place, etc.
In the end it is almost like they were in a different war. One veteran made a point, he said that he just nods his head when he listens to what some people say and then thinks to himself "what war were you involved in, because I saw none of that".
I think that is what it was for many that I have spoken to and for those that had an easier time during Vietnam I'm glad for that. For those who really suffered, and still suffer, I offer my sympathies. To all, I extend a big thank you from someone from the younger generation.
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