Duma Key: A Novel | 
enlarge | Author: Stephen King Publisher: Scribner Category: Book
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Avg. Customer Rating: 376 reviews Sales Rank: 894
Media: Hardcover Edition: Export Ed. Number Of Items: 1 Pages: 592 Shipping Weight (lbs): 2.1 Dimensions (in): 9.4 x 6.3 x 2.2
ISBN: 1416552510 Dewey Decimal Number: 813.54 EAN: 9781416552512 ASIN: 1416552510
Publication Date: January 22, 2008 Availability: Usually ships in 1-2 business days Shipping: Expedited shipping available Condition: * Item in good condition- Typical Used Book and at a great price! * We carefully inspected this * Great customer service * Satisfaction Guaranteed!
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Amazon.com Amazon Significant Seven, January 2008: It would be impossible to convey the wonder and the horror of Stephen King's latest novel in just a few words. Suffice it to say that Duma Key, the story of Edgar Freemantle and his recovery from the terrible nightmare-inducing accident that stole his arm and ended his marriage, is Stephen King's most brilliant novel to date (outside of the Dark Tower novels, in which case each is arguably his best work). Duma Key is as rich and rewarding as Rita Hayworth and the Shawshank Redemption (yes, that Shawshank Redemption), and as truly scary as anything King has written (and that's saying a lot). Readers who have "always wanted to try Stephen King" but never known where to start should try a few pages of Duma Key--the frankness with which Edgar reveals his desperate, sputtering rages and thoughts of suicide is King at the top of his game. And that's just the first thirty pages... --Daphne Durham
Duma Key: Where It All Began A Note from Chuck Verrill, the Longtime Editor of Stephen King In the spring of 2006 Stephen King told me he was working on a Florida story that was beginning to grow on him. "I'm thinking of calling it Duma Key," he offered. I liked the sound of that--the title was like a drumbeat of dread. "You know how Lisey's Story is a story about marriage?" he said. "Sure," I answered. The novel hadn't yet been published, but I knew its story well: Lisey and Scott Landon--what a marriage that was. Then he dropped the other shoe: "I think Duma Key might be my story of divorce." Pretty soon I received a slim package from a familiar address in Maine. Inside was a short story titled "Memory"--a story of divorce, all right, but set in Minnesota. By the end of the summer, when Tin House published "Memory," Stephen had completed a draft of Duma Key, and it became clear to me how "Memory" and its narrator, Edgar Freemantle, had moved from Minnesota to Florida, and how a story of divorce had turned into something more complex, more strange, and much more terrifying. If you read the following two texts side by side--"Memory" as it was published by Tin House and the opening chapter of Duma Key in final form--you'll see a writer at work, and how stories can both contract and expand. Whether Duma Key is an expansion of "Memory" or "Memory" a contraction of Duma Key, I can't really say. Can you? --Chuck Verrill "Memory"
Memories are contrary things; if you quit chasing them and turn your back, they often return on their own. That's what Kamen says. I tell him I never chased the memory of my accident. Some things, I say, are better forgotten.Maybe, but that doesn't matter, either. That's what Kamen says. My name is Edgar Freemantle. I used to be a big deal in building and construction. This was in Minnesota, in my other life. I was a genuine American-boy success in that life, worked my way up like a motherf---er, and for me, everything worked out. When Minneapolis-St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to force things. But I played my hunches, and most of them played out well. By the time I was fifty, Pam and I were worth about forty million dollars. And what we had together still worked. I looked at other women from time to time but never strayed. At the end of our particular Golden Age, one of our girls was at Brown and the other was teaching in a foreign exchange program. Just before things went wrong, my wife and I were planning to go and visit her. I had an accident at a job site. That's what happened. I was in my pickup truck. The right side of my skull was crushed. My ribs were broken. My right hip was shattered. And although I retained sixty percent of the sight in my right eye (more, on a good day), I lost almost all of my right arm. I was supposed to lose my life, but I didn't. Then I was supposed to become one of the Vegetable Simpsons, a Coma Homer, but that didn't happen, either. I was one confused American when I came around, but the worst of that passed. By the time it did, my wife had passed, too. She's remarried to a fellow who owns bowling alleys. My older daughter likes him. My younger daughter thinks he's a yank-off. My wife says she'll come around. Maybe si, maybe no. That's what Kamen says. When I say I was confused, I mean that at first I didn't know who people were, or what had happened, or why I was in such awful pain. I can't remember the quality and pitch of that pain now. I know it was excruciating, but it's all pretty academic. Like a picture of a mountain in National Geographic magazine. It wasn't academic at the time. At the time it was more like climbing a mountain. Continue Reading "Memory" | | | Duma Key
How to Draw a Picture Start with a blank surface. It doesn't have to be paper or canvas, but I feel it should be white. We call it white because we need a word, but its true name is nothing. Black is the absence of light, but white is the absence of memory, the color of can't remember. How do we remember to remember? That's a question I've asked myself often since my time on Duma Key, often in the small hours of the morning, looking up into the absence of light, remembering absent friends. Sometimes in those little hours I think about the horizon. You have to establish the horizon. You have to mark the white. A simple enough act, you might say, but any act that re-makes the world is heroic. Or so I've come to believe. Imagine a little girl, hardly more than a baby. She fell from a carriage almost ninety years ago, struck her head on a stone, and forgot everything. Not just her name; everything! And then one day she recalled just enough to pick up a pencil and make that first hesitant mark across the white. A horizon-line, sure. But also a slot for blackness to pour through. Still, imagine that small hand lifting the pencil... hesitating... and then marking the white. Imagine the courage of that first effort to re-establish the world by picturing it. I will always love that little girl, in spite of all she has cost me. I must. I have no choice. Pictures are magic, as you know. My Other Life My name is Edgar Freemantle. I used to be a big deal in the building and contracting business. This was in Minnesota, in my other life. I learned that my-other-life thing from Wireman. I want to tell you about Wireman, but first let's get through the Minnesota part. Gotta say it: I was a genuine American-boy success there. Worked my way up in the company where I started, and when I couldn't work my way any higher there, I went out and started my own. The boss of the company I left laughed at me, said I'd be broke in a year. I think that's what most bosses say when some hot young pocket-rocket goes off on his own. For me, everything worked out. When Minneapolis-St. Paul boomed, The Freemantle Company boomed. When things tightened up, I never tried to play big. But I did play my hunches, and most played out well. By the time I was fifty, Pam and I were worth forty million dollars. And we were still tight. We had two girls, and at the end of our particular Golden Age, Ilse was at Brown and Melinda was teaching in France, as part of a foreign exchange program. At the time things went wrong, my wife and I were planning to go and visit her. Continue Reading Duma Key | | |
More from Stephen King
Book Description No more than a dark pencil line on a blank page. A horizon line, maybe. But also a slot for blackness to pour through...A terrible construction site accident takes Edgar Freemantle's right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn't survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a "geographic cure," a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else. "Edgar, does anything make you happy?" "I used to sketch." "Take it up again. You need hedges... hedges against the night." Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth's past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating. The tenacity of love, the perils of creativity, the mysteries of memory and the nature of the supernatural -- Stephen King gives us a novel as fascinating as it is gripping and terrifying.
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| Customer Reviews: Read 371 more reviews...
A Compelling Read July 9, 2008 Steven King is a great writer at the top of his form. I was totally drawn into the life of Edgar, a wealthy contractor who looses his right arm in a terrible construction accident. Edgar's healing and leaving the cold of the midwest for sunny Florida kept me turning the pages.
The only thing I didn't like was the pirate ghost (appearing in one scene only, but I think that it was over-done). It immediately made me think of "Pirates of the Carribean." I would give King an "A" for two-thirds of the story, and an "A-" for the last third.
Yes, I would recommend Duma Key. It's a great summer read.
A Great Read July 6, 2008
I just finished reading Stephen King's Duma Key and it's the best book he's written since "The Dark Tower". The characters are as rich as you would expect in a Stephen King novel. The story is clear and direct with a strong ending - unusual for most King novels, his endings are usually disappointing. It's a great ghost story, good and scary in the latter half of the book. Cynics might find it a bit long winded but with King's clear writing I found myself falling into the story and enjoying every page. I highly recommend it.
Scariest in a long time! July 2, 2008 2 out of 3 found this review helpful
We all know Mr. King's been writing for a long time and it seems his later post-accident stories have been successful on many levels (creepy, surreal and imaginative), but they just haven't been delivering the goods (you know, King is supposed to be a "horror" author - but don't tell him). Well, reader fear no more, or rather, be prepared to fear. I haven't been this spooked by a book in a while. This is an honest to god "read at home alone in bed at night and be prepared to jump at every creak and groan of the house" book. I dare say, King hasn't been this scary since "The Shining". And King seems to be showing off a lot of his Horror influences. The book starts off as a kind of Edgar Allan Poe story of paranoia (things real or imagined under the floorboards) and moves in to H.P. Lovecraft territory (I won't spoil with any plot points) and towards the end feels like a classic Robert Bloch/Richard Matheson pot-boiler thriller, with the cynical wise-cracking first person narrative. As a long-time reader of King (since "The Shining"), I can recommend this one heartily (uh oh, another Poe-reference!).
Haunts for months...in a good way June 30, 2008 1 out of 1 found this review helpful
A long-time King fan, I couldn't wait for Duma Key to be released. I was not disappointed. Probably my favorite King novel since the Dark Tower Series, this book has all the well-loved classic King elements: colorful, hysterical language, dead-on descriptions, creepy toys, voices in the night, child ghosts, mysterious visions, a witty sidekick, tormented main character, and cursed ground. I know a great King book when I have to read late into the night so that I can get past the scary parts so I can turn off the light...when I laugh out loud at the character's choice of words...when I can't stop thinking about it for days, weeks, months afterwards...when a place comes alive in my mind and I feel like I've been there myself and know the people intimately. Duma Key delivers again and again. Bravo, Mr. King!
Hooray! June 30, 2008 2 out of 2 found this review helpful
Stephen King's Duma Key is one of the more enjoyable books he has written in a while. With likeable characters, a steady pace slowly unfolding the events, and a nice tilt toward unexplained phenomenon, Stephen King weaves a story I got lost in completely (and that hasn't happened with his books recently).
Edgar Freemantle loses an arm and damages some memory portions of his brain in a freak accident. As a result he loses his "old life" and must start redefining himself again in a "new life" and in a new location: Duma Key, FL. Along the way he discovers new friends, new memories and a new talent that enables a sleeping evilness to take residence again on Duma Key, and into both Edgar's "old" and "new" lives.
Memory is the books central theme. Of things left behind and lost due to the passage of time. "It was like being given back your memory, and a person's memory is everything, really. Memory is identity. It's you." Memories shape our future, but sometimes they are gone forever and sometimes they come back whether we want them or not. Both Edgar and Wireman overcame past accidents that set their destinies together in motion, and Elizabeth's past is what they need to battle together. When Edgar loses his memory after the accident, mostly over words and trivial matters, it is the catalyst for his life change. However, for the rest of the novel he is searching those memories trying to bring them back. Memories of Melinda and Ilse, sleeping "like the old days" with Pam, and of course the feelings in his missing arm. "Speak, memories, that I may once more taste the green cup of the sea", Elizabeth reads to Edgar at one point. Some memories are worth keeping, but some should be forgotten and never brought out again, as Edgar realizes during his stay on Duma Key
Although I really enjoyed the first of the book an awful lot, the last seemed like a rush job to resolve the story. I would have been just as pleased if King did not feel the need to give us a charged-up carnival ride at the end. The slower paced style utilized during the majority of the book would have been sufficient for this reader. Let the conclusion slowly roll onto the beach like a lazy wave, instead of crashing like a powerful breaker.
There were a few things left unresolved, but should we expect anything less from King? Life is unresolved so why should his stories be tied-up nice and neat. Unique characters, a welcomed supernatural element, sustained creepy atmosphere and a very enjoyable read.
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